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THE FEITELSON/LUNDEBERG ART FOUNDATION

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THE FEITELSON/LUNDEBERG ART FOUNDATION

Lorser Feitelson, Allegory of the Golden Apple (Configuration: Judgment of Paris), 1943, oil on canvas, 36 x 48 in. / 91.4 x 121.9 cm. © The Feitelson/Lundeberg Art Foundation, Courtesy of Louis Stern Fine Arts.

Lorser Feitelson, Allegory of the Golden Apple (Configuration: Judgment of Paris), 1943, oil on canvas, 36 x 48 in. / 91.4 x 121.9 cm. © The Feitelson/Lundeberg Art Foundation, Courtesy of Louis Stern Fine Arts.

LORSER FEITELSON: ALLEGORICAL CONFESSIONS, 1943-1945, OCTOBER 10 – DECEMBER 23, 2020

October 13, 2020

OCTOBER 10 – DECEMBER 23, 2020

The Feitelson/Lundeberg Art Foundation is pleased to announce the opening of the exhibition Lorser Feitelson: Allegorical Confessions, 1943-1945 at Louis Stern Fine Arts. For a brief period in the artist’s decades long career, between 1943 and 1945, Lorser Feitelson produced a series of about nineteen paintings best known today as the “Romantic Series” but identified by the artist as his “Allegoric Confessions”. First exhibited as a group in 1944 at the San Francisco Museum of Art (the predecessor of SFMOMA), these “Romantic” paintings display fluid brushstrokes and sensual color evoking such disparate influences as the art of late Baroque Naples and the Romantic paintings of Delacroix and Gericault. Described in 1944 by Los Angeles art critic Arthur Millier as the work of an “artist in transition”, the “Romantic” series falls chronologically between Feitelson’s Post-Surrealist Period and the abstraction of his Magical Space Forms. While it may be tempting, at first glance, to view these paintings as a radical departure from the rest of Feitelson’s oeuvre, this important exhibition allows the viewer to observe the presence of consistent themes, such as the artist’s concern for structure, which would preoccupy Feitelson over the course of his artistic career.

Exhibition of Lorser Feitelson’s “Romantic Series” at the San Francisco Museum of Art in 1944.The artist's personal copy of the installation photograph, Lorser Feitelson, San Francisco Museum of Art, April 18 to May 7, 1944, unknown photographer.

Exhibition of Lorser Feitelson’s “Romantic Series” at the San Francisco Museum of Art in 1944.

The artist's personal copy of the installation photograph, Lorser Feitelson, San Francisco Museum of Art, April 18 to May 7, 1944, unknown photographer.

The exhibition features thirteen paintings produced by Lorser Feitelson between 1943 and 1945. Of the thirteen paintings included in the exhibition, five can be confidently counted among the nineteen paintings exhibited in the original 1944 exhibition at the San Francisco Museum of Art. In the above photograph of the 1944 San Francisco exhibition, two paintings now on view in the exhibition at Louis Stern Fine Arts can be identified: Allegory of the Golden Apple (Configuration: Judgment of Paris) and Three Girls.

Lorser Feitelson, Three Girls, 1943, oil on canvas, 30 x 40 in. / 76.2 x 101.6 cm. © The Feitelson/Lundeberg Art Foundation, Courtesy of Louis Stern Fine Arts.

Lorser Feitelson, Three Girls, 1943, oil on canvas, 30 x 40 in. / 76.2 x 101.6 cm. © The Feitelson/Lundeberg Art Foundation, Courtesy of Louis Stern Fine Arts.

https://www.louissternfinearts.com/

Jordan Hallmark, Researcher

October 13, 2020

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SPOTLIGHT


GREY INTERIOR II

web_SM_HLundeberg_1979-19_Grey Interior II_October1979_LocationUnknown.jpg
Helen Lundeberg, Grey Interior II, 1979 acrylic on canvas 60” x 50”, Collection and © The Feitelson / Lundeberg Art Foundation, Courtesy Louis Stern Fine Arts.

 

Helen Lundeberg’s Grey Interior II, 1979 was exhibited several times shortly after the painting was completed.  It was purchased by a corporate collector in 1986 and, as far as we know, not exhibited since.   Several members of our Board recall Lundeberg expressing particular satisfaction with this work.  In 2017 the Foundation reaquired the painting for its collection. Lundeberg prepared the following statement which was located in the Feitelson/Lundeberg Papers at the Archive of American Art:     

“GRAY INTERIOR II is a recent work, one of a series of “gray” paintings,  which represents some of the themes and pictorial devices and structures which have recurred throughout my work for many years.  Closely related color (in this painting, grays varied by small additions of raw umber and red); the use of areas of white-primed canvas as form; paintings within the painting; abstract evocation of landscape and architectural fragments; cast shadows to enhance 3-D illusion.  It also represents an intention, constant in my work, to create a subjective entity both formal and lyrical through strictly planned and executed organization, of colors, forms, and value.” 

 

Lundeberg's statement has been reproduced verbatim.  We are aware that there is a discepancy between her spelling of "Gray" and the title for this work in numerous exhibitions and articles: Grey Interior II.